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1 to 6 of 6 records

Total number of records: 6

Count of Subject

SubjectCount
operas5
masques with music1
vocal duets with continuo1

Top 10: People and organisations

People and organisationsCount
Colman, George6
Arnold, Samuel (1740-1802)5
Colman, George (1762-1836)4
Colman, George (1732-1794)2
Arne, Thomas Augustine (1710-1778)1
Bannister, John1
Bannister, John (1760-1836)1
Bland1
Bland, Mrs (1770-1838)1
Jonson, Ben1

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Latest dateCount
Up to 17993
Up to 18993

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Inkle and Yarico : a comick opera as perform'd at the Theatre Royal in the Hay Market

Arnold, Samuel (1740-1802); Colman, George (1762-1836)

[1787?]

Overture arr. for keyboard; vocal numbers arr. mostly for keyboard or continuo (figured bass) Without the spoken dialogue.

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Two to one : a comic opera. Now performing, with universal applause, at the Theatre Royal in the Haymarket

Arnold, Samuel (1740-1802); Colman, George (1762-1836)

1784

Libretto by G. Colman. Overture arr. for keyboard; vocal numbers mostly arr. for voices and keyboard partly in condensed score. Without the spoken dialogue. Pl. no., 30-33.

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The fairy prince : a masque as perform'd at the Theatre-Royal in Covent-Garden

Arne, Thomas Augustine (1710-1778); Colman, George (1732-1794); Jonson, Ben (1573?-1637); Welcker, Peter (1775)

[1771]

Libretto by G. Colman, after B. Jonson's 'Oberon'. Overture "adapted for the harpsichord, or piano forte"; vocal numbers mostly in condensed score with figured bass. There are two blank pages betw...

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Pauvre Madelon, : a favorite song & duett, sung by Mrs. Bland & Mr. Bannister, in The surrender of Calais

Arnold, Samuel (1740-1802); Colman, George (1762-1836)

[ca. 1791]

Caption title. Words by G. Colman.

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Oh happy tawny moor : sung by Mrs. Bland & Mr. Bannister Junr. in the Mountaineers

Arnold, Samuel (1740-1802); Colman, George (1732-1794); Bland, Mrs (1770-1838); Bannister, John (1760-1836); Preston and Son (Firm)

[ca. 1795]

Duet arr. on two or three staves for 2 voices and harpsichord; with a version for the guitar. Caption title. Words by G. Colman.

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