Search Special Collections
Results
Total number of records: 9
Count of Subject
Top 10: People and organisations
The shepherd's invitation : a favorite Scotch air : sung by Mrs. Catley in Love in a village
Arne, Thomas Augustine (1710-1778)
[ca. 1760]
Song; for 2 violins and voice, with figured bass.
Invocation to night
[1770?]
Song; for voice and continuo. Includes part for German flute or guitar. Imprint from foot of page: 'Str: & Sk:' [i.e. Straight & Skillern].
How blest the maid : sung by Miss Brent in Love in a village
Galuppi, Baldassare (1706-1785); Arne, Thomas Augustine (1710-1778); Brent, Charlotte (1802)
[ca. 1780?]
Song, adapted by T. Arne from B. Galuppi's 'Pastorella al prato' from his 'Filosofo di campagna'. Arr. on two staves for voice and keyboard with figured bass. Caption title.
The banks of the Dee : a favorite song
Tait, John (1748-1817)
[ca. 1780?]
For voice and continuo (figured bass) In this edition, the music is laid out on six systems. To the tune 'Langolee' (cf. BUCEM) Caption title. Without imprint. Words by J. Tait.
Nancy of the dale : sung by Mr. Webster in the Camp
Linley, Thomas (1733-1795)
[ca. 1780]
Song arr. on two staves for voice and keyboard; with a version for the flute. "Published by authority"--caption. Publishers' initials at foot of leaf [2]: "S.A.P.T." [i.e. Samuel, Ann and Peter Th...
No flow'r that blows, sung by Mrs. Baddeley in Selima & Azor
Linley, Thomas (1733-1795)
[1780?]
Arranged on 2 staves for voice and keyboard with guitar accompaniment at end.
The maid of Selma : a particular favorite Scotch song
Corri, Domenico (1746-1825)
[ca. 1780?]
For voice and continuo (unfigured bass), realized in small notes on the middle stave. Caption title.
The bonny milk maid
Eccles, John (1668-1735); D'Urfey, Thomas (1653-1723)
[n.d.]
Song for voice and continuo (unfigured bass); with a version for the flute. One of the songs contributed by J. Eccles to the music for T. D'Urfey's play 'The comical history of Don Quixote, the seco...
Wine cannot cure
Arnold, Samuel (1740-1802)
[1796?]
Arranged on 2 staves for voice and keyboard. Attributed to Samuel Arnold.