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1 to 12 of 88 records

Total number of records: 88

Count of Record type

Record type	Count
Books and printed items	87
Indexes	1

Count of Collection group

Collection group	Count
Brotherton Collection	87
Leeds Philosophical and Literary Society	1
Letters Database	1

Count of Subject

Subject	Count
authors, english	3
sea stories	3
instrumentation and orchestration	1
women	1

Top 10: People and organisations

People and organisations	Count
Clarke, Mary Cowden (1809-1898)	88
Mary Victoria Novello	88
Molly	88
Vic	88
Vicky	88
Clarke, Mary Cowden	32
Clarke, Charles Cowden (1787-1877)	25
Shakespeare, William, 1564-1616	24
Shakespeare, William (1564-1616)	21
Clarke, Charles Cowden	18

Count of Earliest date

Earliest date	Count
From 1800	86
From 1900	1

Count of Latest date

Latest date	Count
Up to 1899	85
Up to 1999	2

Index

Letters Database Index

Related people: Cowden Clarke, Mary Victoria

Related people: Hughes, Lilian

Size and medium: 4 letters

Date(s): 30 May 1891 - 17 Oct 1893

Related material: BC Novello Cowden Clarke Collection

Category: Letters database entry created September 2017 as part of legacy manuscripts identification work. REB

Description: Contains three letters from Mary Cowden Clarke to Lilian Hughes, and one letter to Charles Hughes.

Letter dated 30 May 1881 from Cowden Clarke to Lilian Hughes discusses Lilian Hughes' book 'Off the Reel', containing 'Hearts of Oak' and 'New Friends'.

Letter dated 10 Feb 1882 from Cowden Clarke to Lilian Hughes mentions visits from Hughes' relatives: her Uncle Edward John Broadfield and her brother Alfred Hughes. Also discusses Sir Thomas Lawrence's painting of Mrs Siddons.

Letter dated 27 Oct 1882. Cowden Clarke thanks Lilian Hughes for sending her photo-portrait. Discusses Hughes' recent betrothal and Cowden-Clarkes' views on marriage.

Letter dated 17 Oct 1893 Cowden Clarke thanks Charles Hughes for his gift of the Illustrated account of Robert Browning's 'A Blot in the Scutcheon' as performed in Manchester, and reminisces about watching the play when it was performed under William Macready's management in 1843.