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Total number of records: 55
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GIGLIUCCI, Porzia
1852-1873
A poem transcribed by Porzia Gigliucci and photographic portraits of her as a child and later as an adult, dressed as Thalia from a theatrical production at Villa Novello in Genoa, Italy.
GIGLIUCCI, Valeria
1852-1893
Poems transcribed by Valeria Gigliucci for her future sister-in-law Edith Margaret Mozley and her aunt Mary Cowden Clarke. Photographic portraits of Valeria Gigliucci as a child and later as an adult ...
Notebooks
1765-1954
Two of Giuseppe 'Joseph' Novello's notebooks, with transcriptions and translations by his great-great-granddaughter Donna Nerina Medici di Marignano Gigliucci from 1954. The content includes details o...
Poetry
1869-1893
Three poems transcribed by Valeria Gigliucci, two for her future sister-in-law Edith Margaret Mozley and one for her aunt Mary Cowden Clarke.
Transcription
1830-1877
Poetry and prose transcribed by Charles Cowden Clarke, often copied from works by his wife Mary Cowden Clarke and the circle of authors among their friends, including John Keats. The purpose of the tr...
Transcription
1830-1892
Transcripts primarily by Mary Cowden Clarke of poetry by Leigh Hunt, Henry Wadsworth Longfellow, Charles Stuart Calverley, Thomas Hood, John Mills and Alfred Tennyson. Also transcribed extracts from a...
Poetry
1840-1868
Two verses by (or transcribed by) Clara Anastasia Novello, 1 in English dated 1868 and one in French, undated.
Cadences and songs
c. 1870
Twelve of Clara Anastasia Novello's cadences in ink and pencil on paper, with one reproduction and one with her signature, and two songs ('Little Dorrit & Love' and 'The Beating of my own Heart') poss...
Transcriptions
c. 1800-1896
Handwritten transcriptions of poetry and prose by members of the Novello Cowden Clarke family and others.
Notebooks
1810-1814
Charles Cowden Clarke's commonplace book from 1810 and notebook from 1814, which include his own poems and transcripts of poems by other authors.
Arne, Thomas Augustine to Garrick, David
c. 1750
Copy of an undated letter from Thomas Augustine Arne to David Garrick in an unknown hand, in which Arne provides his professional thoughts on Garrick's musical performance in a revival of the opera Ki...