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1 to 12 of 119 records

Total number of records: 119

Count of Record type

Record typeCount
Archives66
Art items48
Objects5

Count of Collection group

Collection groupCount
Novello Cowden Clarke Collection119
Brotherton Collection114

Top 10: Subject

SubjectCount
works of art66
painting59
art education32
drawing31
portraits27
landscape26
family18
sculpture17
photography12
photographs11

Top 10: Place

PlaceCount
London, United Kingdom18
Genoa, Italy6
Nice, France3
Rome, Italy3
Dublin (Ireland)2
Paris, France2
Turin, Italy2
Berlin (Germany)1
Deal, United Kingdom1
Dover, United Kingdom1

Count of People and organisations

People and organisationsCount
Cowden Clarke, Mary Victoria1
Lamb, Charles1
Novello, (Joseph) Alfred1
Novello, Clara Anastasia (Aft. Countessa Gigliucci)1
Novello, Emma Aloysia1
Novello, Mary Sabilla (Nee Hehl, Mrs Vincent Novello)1
Novello, Vincent1
Severn, Joseph1

Count of Earliest date

Earliest dateCount
From 17004
From 1800112
From 19003

Count of Latest date

Latest dateCount
Up to 1899111
Up to 19998

Archive Item

Poem by Anna Laetitia Barbauld

c. 1800

Undated handwritten poem by the poet Anna Laetitia Barbauld, beginning ‘Life! I know not what thou art'.

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Archive Item

Sketch of a religious figure

c. 1830

Undated pencil sketch of an unidentified figure by Edward Petre Novello, with hands together in prayer and flowing robes. It is possible that Novello made the drawing after an existing work of art.

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Archive Item

Scrapbook containing landscapes

c, 1850

Undated scrapbook bound in dark green watered silk containing 'landscapes fancy suibjects &c &c', with mounted engravings of architecture, street scenes, landscapes and works of art.

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BC MS NCC/10/7/18 Drawing titled 'La curiosité'
Archive Item

Drawing titled 'La curiosité'

c. 1850

Undated mounted pencil on paper drawing titled 'La curiosité', with a figure revealing a canvas on an easel and a copy of the Venus de Milo on the right, by Emma Aloysia Novello. The drawing appears ...

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Archive Item

Views of Novello's new building at 160 Wardour Street

1906-1907

Two mounted copies of views, exterior and interior, of Novello's new building at 160 Wardour Street, London, by the architect Frank L. Pearson, from Academy Architecture. The original drawings were ex...

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Archive File

Drawings

c. 1830

Pencil, ink and watercolour sketches by Edward Petre Novello, including portraits of members of the Novello family, illustrations for his sister Mary Cowden Clarke's publications, copies after existin...

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Archive Item

Signed note about music and heaven

26 Jul 1907

Signed note with the autograph of Clara Gigliucci née Novello, which reads: 'Music is the only one of the fine arts admitted into Heaven'. Dated 26 July 1907. An inscription at the bottom in a later ...

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Archive Item

Notes by Charles Cowden Clarke on Keats' 'Bright Star'

c. 1868

Notes by Charles Cowden Clarke on John Keats' sonnet 'Bright Star, would I were stedfast as thou art', first published in 1838. The note records that Keats wrote to Charles Cowden Clarke on the same s...

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Archive Art Item

Oil sketch for 'Cupid Riding on a Lion'

c. 1834

Oil sketch for 'Cupid Riding on a Lion', the final version of which was exhibited at the Royal Academy of Arts Summer Exhibition in 1834. It was inspired by the epic poem 'The Faerie Queene' by Edmund...

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Archive File

Cowden Clarke, Mary Victoria to Novello, Clara Anastasia

1877-1893

Five letters from Mary Cowden Clarke to her sister Clara Anastasia Novello, beginning with the immediate aftermath of the death of Mary's husband, Charles Cowden Clarke. The letters contain discussion...

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Archive Item

Cowden Clarke, Mary Victoria to Novello, Clara Anastasia

25 Apr 1881

Letter from Mary Cowden Clarke to her sister Clara Anastasia Novello, which mentions Joseph Severn's final portrait of the poet John Keats, which Mary thinks she saw in 1878 and admired, even if she t...

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Archive File

Oil sketches

c. 1830

Undated oil sketches on woodpulp board and canvas by Edward Petre Novello. They are likely to have been painted in around 1830, following his studies at the Royal Academy of Arts and before his early ...

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