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Moulines Maria : a favourite ballad taken from Sterne
Moulds, John; Sterne, Laurence (1713-1768)
[1785?]
With parts for German flute and guitar.
The battle of Prague, a sonata, for the piano-forte or harpsichord, with accompaniments for a violin, bass, &c
Kotzwara, Franz (1791)
[ca.1800]
Pleyel's celebrated concertante as performed with the greatest applause at the Pantheon and Hanover Square concerts
Pleyel, Ignaz (1757-1831); Cramer, J B (1771-1858)
[1790]
For pianoforte or harpsichord with violin accompaniment.
[Piano parts of 3 violin sonatas or piano forte trios in C, F, G]
[ca. 1790]
Title from typed sheet loosely attached in the volume.
Six sonatinas for the piano-forte or harpsichord
Giordani, Tommaso (1733 (ca.)-1806)
[1783]
Violin not mentioned in title but the sonatinas are for violin and pianoforte.
I thought it was queer : a favorite song sung by Miss Newman at Vauxhall
Hook, Mr (1746-1827); Carey, George Saville (1743-1807)
[1787?]
Song arr. on two staves for voice and harpsichord; with a version for the flute or guitar. First line: As I lean'd o'er a gate one midsummer eve.
Myrtilla
Howard, Samuel (1710-1782); Beard, John (1791)
[ca. 1760]
Song arr. on two staves for voice and keyboard. By S. Howard. Caption title. Without imprint.
The bonny milk maid
Eccles, John (1668-1735); D'Urfey, Thomas (1653-1723)
[n.d.]
Song for voice and continuo (unfigured bass); with a version for the flute. One of the songs contributed by J. Eccles to the music for T. D'Urfey's play 'The comical history of Don Quixote, the seco...
Pious orgies
Handel, George Frideric (1685-1759)
[ca. 1790]
Aria from the oratorio 'Judas Maccabaeus'.
Cymon and Iphigenia : a cantata
Arne, Thomas Augustine (1710-1778)
[ca. 1780]
Arr. on two staves for high voice and harpsichord with figured bass. Caption title.
Hush, ye pretty warbling quire : in Acis and Galatea
Handel, George Frideric (1685-1759)
[ca. 1800]
Aria from Handel's masque 'Acis and Galatea'. Caption title.