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1 to 5 of 5 records

Total number of records: 5

Count of Subject

SubjectCount
rondos (piano), arranged1
songs (high voice) with continuo1
songs with continuo1
songs with harpsichord1
songs with orchestra1
songs with piano1
songs, english1

Top 10: People and organisations

People and organisationsCount
Corri, Domenico5
Corri, Domenico (1746-1825)5
Braham, John (1774-1856)1
Cumberland, Richard1
Cumberland, Richard (1732-1811)1
Dussek, Johann Ladislaus (1760-1812)1
Goulding, George1
Moulds, John1
Nelson, Horatio Nelson, Viscount, 1758-18051
Oswald1

Count of Earliest date

Earliest dateCount
From 17004
From 18001

Count of Latest date

Latest dateCount
Up to 17991
Up to 18994

Archive Print Item

The victory and death, of Lord Viscount Nelson : receiv'd with unbounded applause at the Theatre Royal Drury Lane, in the melo dramatic piece commemorative of that ever memorable event

Braham, John (1774-1856); Cumberland, Richard (1732-1811); Corri, Domenico (1746-1825)

[1805]

Song with acc. arr. for piano (with orchestral cues) in A major; with transposition for B flat major 'For a tenor voice'. First line: In death's dark house the hero lies. Caption title.

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A select collection of choice music for the harpsichord or piano forte [...]

Corri, Domenico (1746-1825)

[1790?]

Contains work composed by: Staes, Butler, Handel, Schobert, Jomelli, Sterkel, Maldere, Jarnowick, Haydn, Arne, Schetkey, Hoffmeister, Kuzeluch, Nardini, Correlli, Corri.

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O dear what can the matter be : a favorite song, arranged as a rondo for the piano forte or harpsichord

Dussek, Johann Ladislaus (1760-1812); Corri, Domenico (1746-1825)

[between ca. 1789 and 1794]

Caption title.

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The maid of Selma : a particular favorite Scotch song

Corri, Domenico (1746-1825)

[ca. 1780?]

For voice and continuo (unfigured bass), realized in small notes on the middle stave. Caption title.

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Louisa : a favorite ballad

Moulds, John; Corri, Domenico (1746-1825); Oswald, Mr; Goulding, George

[ca. 1800]

Two songs arr. on three staves for high voice, flute and harpsichord, the first with a version for the guitar. "The words [of Louisa] by the author of Edwin's ghost."--p. 8.

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