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1 to 12 of 296 records

Total number of records: 296

Top 10: Collection group

Collection groupCount
Brotherton Collection137
Rudolf Laban Collections69
Liddle Collection56
Gypsy, Traveller and Roma Collections36
Art and Antique Market31
John Evan Bedford Library of Furniture History3
Medical Collections3
Quaker Collection2
English Literature1
Leeds Poetry1

Count of Subject

SubjectCount
doodles1
education1
microscopes and microscopy1
mites1
music festivals1
natural history1
silhouettes1
watercolor painting1
watercolor painting, english1

Count of Place

PlaceCount
Bucharest1
Romania1

Top 10: People and organisations

People and organisationsCount
Laban, Rudolf Von (1879-1958)65
Rudolf Laban65
Rudolf Jean-Baptiste Attila Von Laban65
Rudolf Johann Baptiste Attila65
Hiroshige, Utagawa I (1797-1858)12
Baron Brotherton6
Brotherton, Edward Allen Brotherton 1st Baron (1856-1930)6
Colonel Edward Allen Brotherton6
Dorothy Una Clough6
Dorothy Una Mcgrigor Phillips6

Count of Earliest date

Earliest dateCount
From 16001
From 170017
From 180077
From 1900200
From 20001

Count of Latest date

Latest dateCount
Up to 17993
Up to 189953
Up to 1999235
Up to latest5

Archive Art File

student painted designs

mid 20th Century

Five painted designs, possibly by students of the Textile Department.

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Archive Art File

A. R. Orage, portrait

1920s

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Archive Art File

GILROY, J

1914-1918

Lithograph of wounded soldier.

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Act I, Chūshingura
Archive Art File

Act I, Chūshingura

Hiroshige, Utagawa I (1797-1858)

1842-1847

Act I in Chūshingura play: Lady Kawoyo, summoned before the council of nobles at the Hachiman Temple, makes her obeisance at the foot of the steps at the top of which they are seated; before her is t...

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Act II, Chūshingura
Archive Art File

Act II, Chūshingura

Hiroshige, Utagawa I (1797-1858)

1842-1847

Act II in Chūshingura play: Love scene between Konami and Rikiya, her mother listening from behind a screen.

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Act III, Chūshingura
Archive Art File

Act III, Chūshingura

Hiroshige, Utagawa I (1797-1858)

1842-1847

Act III in Chūshingura play: An unusual treatment of this scene. Okaru, escorted by one of Yenya's servants with a lantern, whom she is dismissing, arrives at the bridge over the moat, carrying a let...

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Act IV, Chūshingura
Archive Art File

Act IV, Chūshingura

Hiroshige, Utagawa I (1797-1858)

1842-1847

Act IV in Chūshingura play: Yuranosuké leaving Ako Castle after his lord's seppuku. Almost a reproduction of the same scene in the Arita-ya set, except that the moat is not shown.

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Act V, Chūshingura
Archive Art File

Act V, Chūshingura

Hiroshige, Utagawa I (1797-1858)

1842-1847

Act V in Chūshingura play: Sadakuro robbing Yoichibei of his money; scene in the mountains, with a great pine tree in the foreground. Dark blue sky changing to black at top indicating nightfall, but ...

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Act VI, Chūshingura
Archive Art File

Act VI, Chūshingura

Hiroshige, Utagawa I (1797-1858)

1842-1847

Act VI in Chūshingura play: Kampei, with gun on shoulder, stands on a small plank bridge over a stream, gazing abstractedly at the landscape, while from the further side approaches the 'kago' contain...

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Act VII, Chūshingura
Archive Art File

Act VII, Chūshingura

Hiroshige, Utagawa I (1797-1858)

1842-1847

Act VII in Chūshingura play: Yuranosukè, blindfolded, coming down the steps from the veranda of the tea-house, after the tea-house girls; overhead a full moon.

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Act VIII, Chūshingura
Archive Art File

Act VIII, Chūshingura

Hiroshige, Utagawa I (1797-1858)

1842-1847

Act VIII in Chūshingura play: Tonasé and Konami resting under the shade of a large tree overlooking the seashore, and admiring the fine view of Fuji.

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Act IX, Chūshingura
Archive Art File

Act IX, Chūshingura

Hiroshige, Utagawa I (1797-1858)

1842-1847

Act IX in Chūshingura play: Tonasé preparing to take her daughter's life is arrested by hearing Honzo's pipe outside the gate of Yuranosukè's house.

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