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Total number of records: 26
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Elegies : for three voices with an accompanyment for a harpsichord and violoncello
Linley, Thomas (1733-1795); Welcker, Peter (1775)
[ca. 1770]
6 part-songs for SAB and continuo (figured bass) (First lines): Fly to my aid O might love (Invocation) -- I. Ah what avails the sprightly morn of life -- II. Ye sportive loves that round me wait --...
Moulines Maria : a favourite ballad taken from Sterne
Moulds, John; Sterne, Laurence (1713-1768)
[1785?]
With parts for German flute and guitar.
The battle of Prague, a sonata, for the piano-forte or harpsichord, with accompaniments for a violin, bass, &c
Kotzwara, Franz (1791)
[ca.1800]
Pleyel's celebrated concertante as performed with the greatest applause at the Pantheon and Hanover Square concerts
Pleyel, Ignaz (1757-1831); Cramer, J B (1771-1858)
[1790]
For pianoforte or harpsichord with violin accompaniment.
[Piano parts of 3 violin sonatas or piano forte trios in C, F, G]
[ca. 1790]
Title from typed sheet loosely attached in the volume.
Six sonatinas for the piano-forte or harpsichord
Giordani, Tommaso (1733 (ca.)-1806)
[1783]
Violin not mentioned in title but the sonatinas are for violin and pianoforte.
Pious orgies
Handel, George Frideric (1685-1759)
[ca. 1790]
Aria from the oratorio 'Judas Maccabaeus'.
Cymon and Iphigenia : a cantata
Arne, Thomas Augustine (1710-1778)
[ca. 1780]
Arr. on two staves for high voice and harpsichord with figured bass. Caption title.
Hush, ye pretty warbling quire : in Acis and Galatea
Handel, George Frideric (1685-1759)
[ca. 1800]
Aria from Handel's masque 'Acis and Galatea'. Caption title.
Ere around the huge oak : a favorite song, sung by Mr Darley in the Farmer, a comic opera
Shield, William (1748-1829); O'Keeffe, John (1747-1833)
[1788]
Written by John O'Keefe.
No flow'r that blows, sung by Mrs. Baddeley in Selima & Azor
Linley, Thomas (1733-1795)
[1780?]
Arranged on 2 staves for voice and keyboard with guitar accompaniment at end.