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A duetto, for the harp & piano forte, or two piano fortes, (one with additional keys,) as performed at Mr. Saloman's concert, Hanover Sq. : op. 26
Dussek, Johann Ladislaus (1760-1812); Salomon, John Peter (1745-1815); Longman and Broderip (London, England)
[1794]
This work is the composer's compilation of 1st and 2nd movements of Duet op. 11 (C63a and C63b) and 3rd movement of Concerto op. 17 (C78c), respectively. Parts, each with its own t.p.: harp or piano...
Ariette Francoise
Rousseau, Jean-Jacques (1712-1778)
[n.d.]
First line: 'Que ne suis je la fougere'. For voice and harp. Pl. no.: 10.
Ariette Francoise. Le rosier
Rousseau, Jean-Jacques (1712-1778)
[n.d.]
First line: 'Je l'ai plante je l'ai vû naitre'. For voice and harp. Pl. no.: 10.
Moulines Maria : a favourite ballad taken from Sterne
Moulds, John; Sterne, Laurence (1713-1768)
[1785?]
With parts for German flute and guitar.
The battle of Prague, a sonata, for the piano-forte or harpsichord, with accompaniments for a violin, bass, &c
Kotzwara, Franz (1791)
[ca.1800]
Pleyel's celebrated concertante as performed with the greatest applause at the Pantheon and Hanover Square concerts
Pleyel, Ignaz (1757-1831); Cramer, J B (1771-1858)
[1790]
For pianoforte or harpsichord with violin accompaniment.
[Piano parts of 3 violin sonatas or piano forte trios in C, F, G]
[ca. 1790]
Title from typed sheet loosely attached in the volume.
Six sonatinas for the piano-forte or harpsichord
Giordani, Tommaso (1733 (ca.)-1806)
[1783]
Violin not mentioned in title but the sonatinas are for violin and pianoforte.
Pious orgies
Handel, George Frideric (1685-1759)
[ca. 1790]
Aria from the oratorio 'Judas Maccabaeus'.
Cymon and Iphigenia : a cantata
Arne, Thomas Augustine (1710-1778)
[ca. 1780]
Arr. on two staves for high voice and harpsichord with figured bass. Caption title.