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Liber veritatis, or, A collection of prints, after the original designs of Claude le Lorrain in the collection of His Grace the Duke of Devonshire, executed by Richard Earlom in the manner and taste of the drawings; to which is added a descriptive catalogue of each print, together with the names of those for whom, and the places for which, the original pictures were first painted (taken from the hand-writing of Claude le Lorrain on the back of each drawing) and of the present possessors of many of the original pictures (v.3)

Archive Print Item: BC Misc. Quartos/LOR

Details

Type of record: Book

Title: Liber veritatis, or, A collection of prints, after the original designs of Claude le Lorrain in the collection of His Grace the Duke of Devonshire, executed by Richard Earlom in the manner and taste of the drawings; to which is added a descriptive catalogue of each print, together with the names of those for whom, and the places for which, the original pictures were first painted (taken from the hand-writing of Claude le Lorrain on the back of each drawing) and of the present possessors of many of the original pictures (v.3)

Level: Item

Classmark: BC Misc. Quartos/LOR

Creator(s): Earlom, Richard (1743-1822)

Additional creator(s): Lorrain, Claude (1600-1682) (Other)

Related people: Devonshire, Dukes of; Lorrain, Claude

Publisher: Published by Messrs. Boydell and Co

Publication city: London

Date(s): [1777]-1819

Language: English

Size and medium: 3 v

Persistent link: https://explore.library.leeds.ac.uk/special-collections-explore/324197

Printed items catalogue: https://leeds.primo.exlibrisgroup.com/discovery/fulldisplay?vid=44LEE_INST:VU1&docid=alma991016851739705181

Description

"These drawings were called the Liber veritatis, and were made for the purpose of identifying the real works of Claude from others said to be from his hand. These engravings are executed in imitation of the original drawings, and printed in a warm bistre colour... They were at first produced only in outline ... The demand was so extensive that Boydell caused Earlom to retouch and refresh the plates five or six times ..."--Dict. nat. biog., under Earlom. The original drawings passed from Devonshire to the British Museum in 1957.


Title of v. 3 reads: Liber veritatis, or, A collection of prints, after the original designs of Claude le Lorrain, in the collection of His Grace the Duke of Devonshire, Earl Spencer, Richard Payne Knight, Benjamin West, P.R.A., Charles Lambert, Edward Turnor, George Gosling, and Joseph Farrington, esqrs. Executed by Richard Earlom [...].

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